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Handled Han Vase in Chinese Blue, 11.5"

Sale price$595.00

A glaze that was lost for 60 years

The shape is two thousand years old. Broad through the shoulder, tapering to a small foot, opening into a flared trumpet neck with two small lugs where the handles would have been. It comes from Han dynasty hu jars. The pre-War Jugtown potters worked from early Chinese forms, and it entered the Owen family's catalog from there.

The glaze is copper, fired to 2,250 degrees, where it reacts to the smoke and flame of the kiln. Chinese Blue was first developed at Jugtown Pottery in the 1930s. After Jacques Busbee died, his wife Juliana asked that it no longer be made, and the recipe was lost. It stayed with Ben Owen Sr., who spent years trying to get back to it and arrived at a recipe of his own. That version passed down through the family, and Ben Owen III still works in his.

Two shallow lines circle the shoulder, cut into the wet clay on the wheel. They are the only decoration on the piece, and the glaze finds them — thinning over the ridges, pooling dark in the grooves. The mouth does something similar: red at the outer rim, a pale crust along the lip, clean turquoise dropping away inside.

No two pieces develop the same way. The photographs on this page are the vase that will arrive. Hand-signed by Ben Owen III, 2026.

7.5"w x 11.25"h.

No Two are Alike

Because the glaze responds to smoke and flame, every piece leaves the kiln different. The photograph shows the exact vase you will receive. There is no second one that matches it.

It passes the empty test

Put nothing in it and it still holds the mantel. That is the harder test for a pot, and the reason this one earns its place from October through the dead of winter when there is nothing to cut. Flowers are optional here, which is not true of most vases.

Signed by hand, dated by year

Ben Owen III signs each piece by hand and marks the year. It is a small thing on the underside of a vase and it is the whole difference between a handmade object and a documented one — you know who made it, and you know when. Pieces like this get handed down with the signature intact.

The maker

Ben Owen

Ben Owen III is the third Ben Owen at the wheel in Seagrove, North Carolina. He started throwing at eight and was apprenticed to his grandfather and father by thirteen. A BFA in ceramics followed, then a season studying wood-firing in Tokoname, Japan. His work is held by the Smithsonian and the Mint Museum of Craft and Design.

He works in the family's recovered Chinese Blue — a copper glaze his grandfather developed at Jugtown Pottery in the 1930s, lost when production stopped in 1947, and rebuilt years later from memory. Ben still mixes that recipe. Most of his pots pass through the Pappagama, the four-chambered wood kiln he built and named for the year he became a father. A firing takes four days, and no two pieces come out alike.

Read more about Ben →

Before you buy