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Genie Vase in Chinese Blue

Sale price$175.00

The ceramic glaze color that was almost lost to time...

The form is a miniature of Ben Owen III's classic genie bottle: a round body closed down to a straight narrow neck and a small flared collar. Bottles are among the harder things to make on a wheel. You raise a wide belly, then collar it slowly inward until the opening is narrower than your wrist, and past a certain point you are shaping it from the outside alone, with no hand inside to push against. Ben has called bottles some of his favorite pieces to throw. They are favorites because they are difficult.

The glaze is copper, fired to 2,250 degrees, where it reacts to the smoke and flame in the kiln. Chinese Blue was first developed at Jugtown Pottery in the 1930s. After Jacques Busbee died, his wife Juliana asked that it no longer be made, and the recipe was lost. It stayed with Ben Owen Sr., who spent years trying to get back to it and arrived at a recipe of his own. That version passed down through the family, and Ben Owen III still works in his.

Bottles were made for centuries to hold things. This one is 5.75 inches tall and holds almost nothing, which is rather the point. It goes on a bedside table, a kitchen windowsill, a shelf of small objects that mean something. It is also the least expensive signed piece by him we carry — a real way to give someone work by a potter whose pieces are in the Smithsonian.

Hand-signed by Ben Owen III, 2026. 3.75"w x 5.75"h.

No Two are Alike

Because the glaze responds to smoke and flame, every piece leaves the kiln different. The photograph shows the exact vase you will receive. There is no second one that matches it.

It passes the empty test

Put nothing in it and it still holds the mantel. That is the harder test for a pot, and the reason this one earns its place from October through the dead of winter when there is nothing to cut. Flowers are optional here, which is not true of most vases.

Signed by hand, dated by year

Ben Owen III signs each piece by hand and marks the year. It is a small thing on the underside of a vase and it is the whole difference between a handmade object and a documented one — you know who made it, and you know when. Pieces like this get handed down with the signature intact.

The maker

Ben Owen

Ben Owen III is the third Ben Owen at the wheel in Seagrove, North Carolina. He started throwing at eight and was apprenticed to his grandfather and father by thirteen. A BFA in ceramics followed, then a season studying wood-firing in Tokoname, Japan. His work is held by the Smithsonian and the Mint Museum of Craft and Design.

He works in the family's recovered Chinese Blue — a copper glaze his grandfather developed at Jugtown Pottery in the 1930s, lost when production stopped in 1947, and rebuilt years later from memory. Ben still mixes that recipe. Most of his pots pass through the Pappagama, the four-chambered wood kiln he built and named for the year he became a father. A firing takes four days, and no two pieces come out alike.

Read more about Ben →

Before you buy